From blind boxes to cultural totems: A sociological reading of the Labubu phenomenon Rituals and collective effervescence The heartbeat of the phenomenon isn’t the vinyl itself; it’s the choreography that surrounds it—queues, countdowns, livestreamed reveals, the collective gasp when a rare variant emerges. These are modern rituals that generate a charge greater than any individual could summon alone, what Durkheim called collective effervescence: a momentary fusion of bodies and feelings that forges a “we.” The blind-box “reveal,” with its suspense, revelation, and celebration, functions like a shared rite that renews belonging, even among strangers who meet only in a chat window. The toy becomes a totem, a portable symbol of the group’s energy and values (Durkheim, 1912/1995). Scarcity, capital, and the game of distinction Limited runs and region exclusives convert objects into status markers, shifting their meaning from “cute” to “credential.” Within Bourdieu’s framework, ...